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“Swimming Pools (Drank),” “Poetic Justice” featuring Drake, and “B- Don’t Kill My Vibe” (which later featured a remix with Jay-Z) were all hit singles. Massive critical and commercial acclaim followed. He rockets through a galaxy of themes: love, lust, loyalty, fear, anger, divinity, spirituality, toxic masculinity, gang politics, gun violence, racial profiling, teenage innocence, police brutality, survivor’s remorse, hope, self-awareness and mortality. The album itself begins with a teenage Lamar chasing after a girl named Sherane and ends with him witnessing the death of a friend and undergoing a spiritual awakening. Good kid’s cover art shows baby Kendrick sitting on a family member’s lap. “I learned, when I look in the mirror and tell my story, that I should be myself and not peep whatever everybody is doing … If I’m gonna tell a real story, I’m gonna start with my name,” Lamar, who had previously performed as K-Dot, told Vulture on the eve of the album’s release. Both fought to gain control over situations that threatened their sense of self and their lives.Īftermath Entertainment/Interscope RecordsĪnd as with Malcolm X, a name change is an important signifier. Feelings of powerlessness lead to ambitious and aggressive decisions. Like Malcolm X’s autobiography, good kid, m.A.A.d city chronicles the life of a young black man, organized by fear and motivated to survive. But good kid is the album of the decade because it is The Autobiography of Malcolm X for our time, overflowing with black rage, hopelessness, fear of abandonment, and a sobering understanding (and sometimes reckless disregard) of death and rebirth. Yes, it was the 13-time Grammy winner’s major label debut. The album wades through a myriad of sounds, from clacking Southern stomp (m.A.A.d city) to exceedingly suave R&B (Poetic Justice) to hard-knocking West Coast grandeur (the Dre-featuring “Compton”), but none of it’s so gaudy as to guarantee endless airplay.True, Kendrick Lamar’s 2012 opus good kid, m.A.A.d city is the longest charting hip-hop studio album in history. Dre had people worrying that good kid would be a trudge through pop excess but rest assured, there’s no I Need a Doctor” here, or anything close. Its major-label backing and having been executive-produced by the increasingly artless Dr. It’s hard to get enough of such virtuosic control.
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But just as impressive as all that is that he knows how to use his technical gifts, adjusting his cadence in order to get the utmost out of every last line: He approaches Minaj-ian levels of animation on the stomping “Backseat Freestyle, while the easy-riding “The Art of Peer Pressure” finds him more tranquil, making sure every syllable is perfectly audible. Here, Lamar toys with every register of his impossibly elastic voice and blazes through double- and triple-time flows like they’re nothing.
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Already Grantlands Sean Fennessey has good kid the best-rapped album you’re liable to hear this year, but it also might be the most dazzling display of MCsmanship of the last half-decade or more.ģds max crack free download. Its actually a fairly understated moment, but chilling nonetheless. And once the 12-minute Sing About Me, Im Dying of Thirst really locks in, the album hits its emotional peak, with Lamar quoting a recent conversation with a friend (∪nd if I die before your album drop, I hope”) that ends with three gunshots.
By the time The Art of Peer Pressure rolls around three tracks later, Lamar is puffing on a blunt even though Usually, I’m drug-free and probably bout to catch my first offense for robbing the trunk of a car. Master Splinters Daughter unfolds a tale of a high-school Lamar headed to meet a local girl “with nothing but pussy stuck on my mental, and it’s one of the albums most innocent narrative moments.
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